![]() There is a pleasing concert hall ambience present that enriches verisimilitude while doing relatively little harm to detail clarity. The sound likewise is pretty good, although not in the absolute top class. Sakari's interpretation brings out much of the music's imagination and color. Plus, the inclusion of the first suite of tunes from Sibelius's incidental music to Shakespeare's The Tempest makes a good companion piece. ![]() In sum, Sakari and his forces provide an ardent and colorful journey through Sibelius's characteristic landscape. But it isn't so bad in context and should not distract one from a possible purchase. For an unfair comparison here, try Herbert von Karajan, the master of the grand gesture, on EMI, and Sakari will seem positively staid. If there is any minor disappointment, it is in the heroic final theme, which sounds a bit too homogenized for my taste. Maestro Petri Sakari and the Iceland Symphony Orchestra handle the first movement especially well, conveying a proper, shivery introduction leading up to a probing major subject. If, on the other hand, you are new to Sibelius or you are exploring alternative readings, this medium-priced issue seems a good investment. If you already own a favorite (the aforementioned Barbirolli disc for me), you may stop reading now and continue on with the next review. 43 by Finnish composer Jean Sibelius (1865-1957) is perhaps the man's most popular work, outside of the ubiquitous "Finlandia," and there are many fine recordings of the symphony available. What, you say you don't want to lay out thirty bucks for the Barbirolli gold disc of the Sibelius Second on Chesky? OK, how about considerably less money for this pleasant little Naxos release? It isn't the ultimate in refinement or interpretive flair, but it is a good, solid performer. Petri Sakari, Iceland Symphony Orchestra. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. Archives
December 2022
Categories |